
Photographer
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Light catches on polyethylene—thin, industrial, inert—yet it clings like a second skin. In this series, the banal material becomes an instrument of tension: sculptural, suffocating, and intimate. As the figure turns in fragments, identity dissolves under pressure—obscured by synthetic clarity. The final intrusion of a human hand blurs the line between assistance and dominance. Formally minimal yet psychologically dense, Polyethylene interrogates containment, visibility, and the material fragility of control.
Photographer / Company
Anja Pires
Category
Fine Art Photography - Wildlife
Country / Region
Switzerland
Photographer / Company
Suzanne Robinson
Category
Architecture Photography - Religious
Country / Region
United States
Photographer / Company
Bill Hornstein
Category
Commercial Photography - Luxury
Country / Region
United States
Photographer / Company
anna aldighieri
Category
Special Category - Long Exposure Photography
Country / Region
Italy